Being my first piece of work in donkey years, I have to admit I am rather rusty, not that I had much to lose in the first place. But I'm not going to be the same tub of lard oozing with negativity.
RIGHT!!!
I decided to take a rest today considering 4 things.
1) worked till 4.am
2) Federer and Murray
3) Manchester United and Arsenal
4) Dinner with family
So Saturday (or early Sunday morning) was day 10 of shooting and this are a few stills and notes from the project so far.
The Rig
- I decided to go with the use of a DSLR for this one, however the fact that my beloved EOS350D was in dire need of s service and optical realignment meant I had to fall back on my father's more "pricey" Nikon D80.... not that its a bad thing.... just that I always found Nikons to be a little to heavy on saturation. Anyway, I was in luck for I could do something new :)
For the first animated sequence, which is basically a shot of the camera pulling back from a tabletop of M&Ms I realized that the VR lens was out of the focus range.. I'd literally have to stake the Piglet chair from the TV room onto Tigger to get everything into focus. I was planning to shoot the entire short with the wide angle, which nestled comfortably in it's silk-ish case, waiting for someone to sit on it.. and break it. I then tried using both for one shot... zooming out till the VR hit it's max, before switching to the Wide angle to continue the shot. There was bound to be some form of image distortion but it wasn't such a bother, even after I viewed the complete shot. I will have the images up shortly.
The TOOLS
- one of the tough parts making this film was painting over the M&Ms between shots, so I fashioned a couple of "grips" from allan keys and metal wiring, accompanied with various everyday tools. I needed the "straightness-measuring-thing" for whenever I needed to readjust the camera after moving it around for different shots.
Paint was a nightmare as far as getting the right blue was concern. My mom said it was a shade of Cyan, and had me raiding the nearby stationary shops for the right color for half a day till I decided to try mixing it for myself.
Day 8 I discovered that I had made the BIGGEST MISTAKE anyone coule ever make in making a film like this. who the hell shoots for hours on end with differing color subjects without setting white balance? Yes, go ahead and laugh.... The yellows turned green at times, orange to red and so on which was testicle-tuggingly annoying when it came to viewing playback. On the bright side, the color defects of my paint colors were made less obvious by this blunder.. so YAY!
How to survive a 4 hours take...